New Music - Times New Viking

I’m new to Times New Viking. I heard their 2007 album The Paisley Reich after it turned up on numerous year-end lists and was impressed with the band’s explosive brand of pysch-pop. They have recently signed with Matador and are set to release Rip It Off on 1/22. Judging from these first few tracks to surface, the bigger label has asked them to hold nothing back in the studio. All the warped, fuzzy fun of previous songs is there, waiting to assault yer senses, with plenty of sparkling melodies bursting out of the noise.

MP3 :: (My Head) - R.I.P.
MP3 :: Drop-Out
(from Rip It Off. Pre-order here)
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The art:

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Tour News :: Phosphorescent

Phosphorescent’s Pride, #10 on PHW’s favorite albums of ‘07 list, just keeps getting better with each listen. The organic, nighttime hymns that comprise the record will be getting the live treatment with a full band U.S. tour (most of which will be with Bowerbirds), starting out in Brooklyn and culminating with several Austin shows for SXSW. Dates:

02/02/08 Brooklyn, NY - Union Pool w/ Dodos
02/08/08 Alfred, NY - Terra Cotta Coffee House
02/26/08 Philadelphia, PA - Johnny Brenda's w/ Bowerbirds
02/27/08 Brooklyn, NY - Union Hall w/ Bowerbirds
02/29/08 New York, NY - Mercury Lounge w/ Bowerbirds
03/01/08 Northampton, MA - Iron Horse w/ Bowerbirds
03/03/08 Bloomington, IN - Waldron Arts Center w/ Bowerbirds
03/04/08 Chicago, IL - Schuba's w/ Bowerbirds
03/05/08 Minneapolis, MN - First Avenue w/ Bowerbirds
03/06/08 Omaha, NE - Slowdown w/ Bowerbirds
03/07/08 Lawrence, KS - Jackpot w/ Bowerbirds
03/08/08 Norman, OK - Opolis w/ Bowerbirds + Bodies of Water
03/10/08 Dallas, TX - Good Records 7PM (free instore, solo performance)
03/10/08 Dallas, TX - Cavern w/ Bodies of Water + Bowerbirds
03/12/08-03/15/08 Austin, TX SXSW - shows TBA

MP3 :: A Picture Of Our Torn Up Praise
(from Pride. Buy here)
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Talkin' New York, Vol. 11 - Wynn Walent & The Folks

Since I’ve started this music blog a few days over a year ago I’ve heard a lot of artists that I consider among New York’s finest singer-songwriters. A lot of my favorite songs of 2007 were written by these folks. One of those songs, “A Question Of Water”, is by a recent discovery of mine - Wynn Walent. I haven’t been this excited about the music of a newly discovered local artist in a few months. That’s probably my fault - I’m not getting out as much lately. Working and sleeping. Writing and reading - The Road (for me) and To Kill A Mockingbird (again, and passing some knowledge on to kids who’ll likely claim it as their favorite in about 3 weeks). Drinking less sugar. Not grocery shopping at the 7-11. Fitter, happier, more productive. Growing up and settling in.

Maybe that’s why the songs on Walent’s new EP, Upon Leaving, are hitting me so hard. These are the songs of a young man living squarely in the present, but with the past close behind. But things are better now. It’s a record that manages to be painfully personal and endlessly universal at the same time. Modern and timeless. Ragged and beautiful. Songs that could score To Kill A Mockingbird (with its innocence in a time of struggle) as easily as The Road (with its innocence in a time of struggle).

To me, The Band is an obvious reference point for Walent’s music (he even looks like he could sneak into the cover of their second album and fit right in, amirite?). Like The Band, to hear Walent play his songs is to recall the long history of American music. I caught Walent a few weeks ago leading off a bill with 2 of my other favorite local artists - Matt Singer and Paul Basile. All 3 shared the stage at various points in the evening during each other’s sets. They sounded as if they were made for one another - strumming, picking, harmonizing, passing instruments, smiling, playing each other’s songs. Maybe even laying the seeds for a future collaboration. Their 3-way rendition of “Long Black Veil” to close the evening cemented the connection.

Walent usually plays with a band called The Folks though, and these folks accompany him on the new CD, providing banjo, mandolin, pedal steel, percussion, and backing vocals to his songs. There are 6 songs, and I bet each has been my favorite at some point since I first heard it . “A Question Of Water” is the one I go back to most - the haunting voice and lyrics struck me the first time I heard them, and immediately it became a song I know I'll go to for years to come. “Olivia, the Dear”, with its weepy pedal steel and shuffle beat, is probably the most immediate of the songs, and “On Being Young” the most beautiful. All are important, and if you come to this blog to discover music (um…why else would you?) then check Wynn Walent out. Guaranteed.

MP3 :: Olivia the Dear
MP3 :: A Question of Water
(from Upon Leaving. Buy here)

And I bet you didn’t know that Wynn Walent & The Folks have a full length album available as well. It’s from 2006 and is every bit as excellent as the new EP. Listen.

MP3 :: Where Are You Now
MP3 :: Paramedic
(from Wynn Walent. Buy here)
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New Music - Constantines

Show of hands. Who’s getting excited for a new record from The Constantines? That’s what I thought. Me too. It’s been a long time since the Canadian rockers released Tournament of Hearts (2005), and even longer since the release of their first 2 neo-classic albums - Constantines and Shine A Light. They are currently finishing up their as-of-yet untitled 4th album, and are looking at an April release through their new home at Arts & Crafts.

The band has decided to wet our appetites by releasing their first ever 7” single. Both songs, A-side “Hard Feelings” from the forthcoming album and an exclusive B-side called “Easy Money”, are streaming at their myspace. “Hard Feelings” is the band at their tense, angry best - a bold reaffirmation from one of the best working rock bands that they mean business.

Stream :: “Hard Feelings” and “Easy Money”

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And in case you are unfamiliar with the band, their former label, Sub Pop, has a whole bunch of free downloads available:

MP3 :: Soon Enough
MP3 :: Love In Fear
(from Tournament of Hearts. Buy here)

MP3 :: Nighttime, Anytime (It’s Alright)
MP3 :: On To You
(from Shine A Light. Buy here)

MP3 :: Arizona
(from Constantines. Buy here)
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New Music - Evangelicals

Having already proven themselves to be quite adept at gothic, semi-creepy seasonal music, both for holidays where that would seem appropriate and not so much, Evangelicals are set to try out another avenue. The Evening Descends will, um, descend on January 22 via the venerable Dead Oceans label, and from the sound of things may be the first indie rock album of the year to get excited over. Part James (on the vocals. Gimme a break… Laid?…you know you like it), part U2 (on the chiming guitar and anthemic tendencies), and part wall-of-noise experimentation, Evangelicals seem poised to help 2008 get off to a great start.

MP3 :: Skeleton Man
(from The Evening Descends. Pre-order here)

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Marah :: Angels of Destruction!

The blazing folk-rock, dizzying street poetics, and vintage Philly soul of Marah’s Let’s Cut The Crap And Hook Up Later On Tonight and Kids In Philly, as well as their hard-earned reputation as a transcendent live act, set an early level of promise for the band that they’ve never fully lived up to. Those hoping the band’s brand new Angels Of Destruction! would change that are most likely going to be disappointed. I use the word “disappointed” with reservation, as any reader of this blog knows how much I adore this band, and each of their last 3 albums have had plenty of great moments. But that’s how I feel sitting here listening to these new songs. I guess first impressions filtered through crappy computer speakers from crappy audio streams don‘t necessarily last.

Angels Of Destruction!’s biggest problem is one that has hampered the band since Float Away With The Friday Night Gods - their arrangements are often cluttered and over-produced. Here, a newly sober Dave Bielenko and the band come storming out of the gates with the pulsing rocker “Coughing Up Blood” - a would-be thesis statement for the album with its allusions to angels, redemption, and sobriety. The flashing guitars and driving rhythm sound fantastic, but are layered against not one but two unfortunate backing vocal tracks. The arrangement actually made my girlfriend and I look at each other for a moment in stunned disbelief. Then we started laughing. Yes, laughing. Sorry Marah. Similar aesthetic mistakes haunt most of the potentially good songs on the first half of AOD!, with every good idea seemingly matched by a handful of poor ones.

There are a few other issues I have with this record, as well as Marah’s past few - the first being the emergence of Serge Bielenko as a co-lead singer. With an established vocalist as seasoned and dynamic as Dave Bielenko in the band, there’s no need to ever have someone else take the role, especially when said “singer” can’t carry a tune. I don’t care who wrote the lyrics. Also, the band’s odd tendency to invent words and/or phrases has become really distracting. First of all, the line “you kick in with the subtle of potassium”, from “The Apartment” on the last album, doesn’t make any sense. This album's otherwise pretty "Blue But Cool" uses the extremely clumsy "words" 'foreeverness', 'infatuationness', 'apartmentness', and 'familiness'. Excuse me? I know I’m no Bill Shakespeare here, but c’mon guys. You can, and have, done much better - older gems like “Faraway You” and “Round Eye Blues” are perfect examples of modern lyrical genius.

These gripes are tough love though, not disillusionment. Fortunately, hidden on the record’s back half are a handful of stand-out tracks that make the record worthwhile for long-time fans and beginners. “Santos de Madera” is to this record what “Spanish Bombs” was to London Calling - an unexpected and successful stab at Spanish sounding music incorporated into a near perfect rock n’ roll song. The title track (featured below) and “Can’t Take It With You” also do their parts to salvage the album’s messy beginning. The former is a soaring and melodic folk-rock anthem that captures everything the band does well, the latter a genuinely soulful street march that deftly intertwines horns and banjo. These songs show that Marah, when allowing their songs some much needed room to breathe, are as impressive as any band on the planet.

Marah left their Philadelphia hometown earlier this decade in search of inspiration, and not surprisingly have sounded somewhat lost ever since. They’ve always been at their best when keeping things simple. It’s not surprising that their best songs over the past 7 years, “Walt Whitman Bridge” and “Pigeon Heart”, are the ones with the fewest frills. Both are radiant folk-rock songs with soaring melodies. And no clutter. I respect the band's decision to consistently explore new sounds and toy with expectation, but maybe it’s time to move on home.

MP3 :: Angels of Destruction
(from Angels of Destruction! Buy here)

Stream :: Various Tracks
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Gold Soundz: "Gimme Back My Dog"

I’m going to start a recurring series of posts here at PHW where I focus on my favorite songs of all time, share a few thoughts on said song, and host it as an mp3 so you can then love it too. And then you can buy the album it’s from. I actually have these posts all the time, most music bloggers do, but now the series will have an official name - “Gold Soundz” - you know, because it’s cool to have a “column” named after a not-at-all obscure Pavement song.
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First entry on said list shall be Slobberbone’s neo-classic “Gimme Back My Dog”, and not because Stephen King called it one of the 3 best rock n’ roll songs ever written. And not because a few years ago I saw a Slobberbone t-shirt on a guy at a Steve Earle concert that I thought was the best shirt I’d ever seen in my life. It simply said “Ryan Adams is no Brent Best”. Damn straight.

It’s because a few weeks ago, on Christmas actually, I thought it would be funny (in an “I’m an ironic blogger” sort of way) to put up a collection of “Jesus” songs. Naturally “Trust Jesus” from Everything You Thought Was Right Was Wrong Today made the cut, and sparked my listening to that album a few times over the ensuing days. And I was reminded of the power of “Gimme Back My Dog”. Not that I’d ever forgotten, but it had been a while since I cranked it up. I have to say it’s about the hardest rocking song to ever feature a banjo that I can think of. It comes crashing out of the gate with a wall of beautiful feedback-laden noise before locking into a banjo-led groove. Back and forth it goes between these two poles, gradually building its tension and releasing it over and again over its five glorious minutes.

But as hard as the music is, this is not the best part of the song. No, that would be Brent Best’s pained declaration that, in the wake of a nasty break-up, the most important thing to him is the retrieval of his beloved pet. Nowhere in the history of songs about dogs is the idea of “man’s best friend” more fully realized than in this song’s brilliant verses (for example):

It was mine before you knew me
It was mine before you'd chose me and use me and lose me, refuse me
The way you're now refusing to…

And a gruff chorus that is every bit as pained as one about losing your best friend should be:

Gimme back my dog…….

Hollered over and over and over by a voice that’s equal parts Jay Farrar and Paul Westerberg. Calling it one of the 3 best rock n’ roll songs of all time might be a hyperbolic extreme, but right now as it’s blasting out of my speakers you’d be hard pressed to convince me it’s not.

MP3 :: Gimme Back My Dog
(from Everything You Thought Was Right Was Wrong Today. Buy here)
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Talkin' New York, Vol. 10 - Yarn


Talkin’ New York is a semi-regular feature I like to include on Pop Headwound that focuses on the wealth of emerging local talent in the Brooklyn and Manhattan area. Some are touring bands getting buzz, others are folks I saw play at an open-mic who blew me away. All are artists who have struck me as incredibly talented musicians and songwriters who deserve to have their music heard on a wider scale.
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About a year ago Blake Christiana was growing tired of playing folk rock in Blake & The Family Dog and decided his musical career needed rethinking. So, he and bandmate Shane Spaulding made a change - they started writing acoustic based songs, formed Yarn, and recorded their self-titled debut record. The band has been gaining acclaim in the months since its release. They’ve been consistently moving their way up the AMA Chart, won the IMA award for best alt. country song of the year (“No Future Together”), and placed in the Freeform American Roots reporters Top 20 albums of the year. Not a bad year for a new band.

Yarn is New York in locale, but their sound and spirit ain’t from these parts. Led by the smooth vocals and guitar playing of Christiana, Yarn plays a form of alt. country music that seems born on the outskirts of Nashville, decidedly heavier on the “country” than the “alt”. The 15 songs that comprise the record are just pristine. I haven’t heard production this crisp on a country record in a long time - it reminds me of what M. Ward has achieved on his last few albums. I’m not comparing the 2 artists stylistically, but the crystal clear production here (warm, spacious, inviting) rivals that of Ward for some of the best I’ve heard.

The album itself is marked by fine playing and smart songs. The familiar country music themes and images referenced seem more alive than ever, and Christiana’s sturdy croon is as real as a warm breeze, as knowing as the weathervane. “No Future Together” is a heartbreaking confession of failure, “Madeline” a dusty ballad that sounds like it’s leftover from Stranger’s Almanac, and “Cat and Mouse” a shuffling sing-along worthy of a Hank comparison. The songs cuddle together with the others, seemless in their delivery, and by the rustic sway of “I Love The Way” you’ll be waiting for the CD to end so you can start it over. This is highly recommended music for fans of real country music with an outsider’s edge, and while that’s not always my thing, this is too good to ignore.

MP3 :: Listen Up Sweetheart
(from Yarn. Buy here)
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Stream :: The Early Show (and other assorted tracks)
(from Lone Gone Lonesome. Kill Buffalo compilation. Info here)
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Previously featured Talkin’ New York artists:

Wakey!Wakey!
Matt Singer
Creaky Boards
Chris Cubeta & The Liars Club
Brook Pridemore
The Cummies
Eric Wolfson
David Shane Smith
Soft Black
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New Sounds Goin' Round....

In 2005 The Mountain Goats released The Sunset Tree - a bruised and beautiful collection of songs documenting John Darnielle’s troubled early years. It turned out to be one of my favorite records of that year and still gets plenty of play around here. In 2006 they followed it with Get Lonely, an album that quickly got lonely at the bottom of a CD stack, hardly listened to beyond a few early spins. I can’t really explain the gaping difference in my reactions to these records other than saying one housed songs that spoke to me, the other didn’t.

This coming February 19th 4AD Records will release Heretic Pride, and album recorded with more outside help than the Goats have ever previously used - including Franklin Bruno, Annie Clark (yes, St. Vincent), Erik Friedlander, Peter Hughes, Jon Wurster, the Bright Mountain Choir, and was produced by Scott Solter & John Vanderslice. The first single has appeared online and finds Darnielle and company using those folks well - it‘s their most band-oriented song I can think of. Promising indeed.

MP3 :: Sax Rohmer #1
(from Heretic Pride. Pre-order here)

Bonus MP3 :: New Monster Avenue
(from Get Lonely)
Bonus MP3 :: Lion’s Teeth
(from The Sunset Tree)
Bonus MP3 :: Palmcorder Yajna
(from We Shall All Be Healed)
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To me, The Magnetic Fields has always been one of those bands that’s more heard of than actually heard. I think the first few tracks to surface from the upcoming Distortion (Nonesuch Records. 1/15) are the first I’ve heard, or at least the first I remember hearing, and based on this limited knowledge of the band, I’d say the album is well named. There are lots of pleasant melodies swirling around in here, but they’re layered under some good old-fashioned Psychocandy-styled noise (“Too Drunk To Dream”, especially, seems poised to become the next great drunken sing-along, if not for the wall of lovely dissonance). Plus there’s kick-ass artwork.

MP3 :: Old Fools
MP3 :: Too Drunk To Dream (link to RCRD LBL)
(from Distortion. Pre-order here)
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Bruce Springsteen :: Nebraska Demos

I don’t think I’m alone when I call Nebraska, an album of demos Bruce Springsteen recorded on a 4-track recorder, not only one of my favorite Springsteen albums, but one of my favorite albums period. Born To Run is always the sentimental favorite, and The Wild, The Innocent, & The E Street Shuffle is the go-to choice when I want to hear his vintage Jersey Shore exuberance, but more so than either of those, Nebraska is infallible proof of the man’s ability to tell a story. It documented a broken America as seen through the eyes of characters with little hope left in their lives. The relentlessly bleak tone of the music and lyrics was an instant turn off for many long time fans used to the positive, earnest messages at the heart of The Boss’s music. Despite its commercial failure though, Nebraska has stood as one of Springsteen’s most critically acclaimed releases. In fact, and I’ve mentioned this before on this blog, somehow not one of Bruce’s classic 1970s albums placed on Pitchfork’s Top Albums of the 1970s, but Nebraska did find its way to #60 on their list of the 1980s.

I recently came across a CD of additional songs recorded during this time period of Springsteen’s career (thanks Billy!). The differences in audio quality among the tracks leads me to believe that they weren’t all from the same sessions, but all are noteworthy nonetheless. Most of these songs have turned up elsewhere over the years in various incarnations - most notably to me the song included here called “Child Bride”. The story song was later completely revamped into Born In The USA’s somewhat forgettable “Working On The Highway”. You can’t really argue that “Downbound Train” was later improved in its E Street Band version, and “Born In The USA” is undeniably effective in both versions. To me though, “Child Bride” is much stronger here, perhaps even joining “The Promise”, “Be True”, and “Janey Don’t You Lose Heart” as the greatest of Springsteen’s unreleased (until Tracks) songs.

These songs all further the themes presented on Nebraska, and are worthy listens for both curious listeners and Springsteen aficionados.

MP3 :: Bye Bye Johnny
(previously unreleased, to my knowledge. Shares its title with a Chuck Berry song)

MP3 :: Born In The USA
MP3 :: Downbound Train
(both later appeared in different versions on Born In The USA)

MP3 :: Losin Kind
(previously unreleased anywhere, to my knowledge)

MP3 :: Child Bride
(given a chorus and an E Street backing to become “Working On The Highway”)

MP3 :: Pink Cadillac
(later recorded by the band and released as a b-side on the “Born In The USA” single)

MP3 :: Dream Baby
MP3 :: Vietnam
MP3 :: Untitled
(unreleased demos - leave me a comment about these if you are in the know….not sure if I have the titles correct. “Vietnam” seems to be an early version of “Born In the USA”)
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New Music - The Second Band

It seems appropriate to kick off my second year as a music blogger with new music from one of my favorite Swedish imports, The Second Band. Last year the very excellent (and lover of all things Swede) blog The Punk Guy provided the heads up about the band, and since that time their songs haven’t strayed from my ears for long. In the past the sound of The Second Band had such an American kick to it that recognizing them as Swedish may have been difficult if you didn’t know better. Gems like “What’s Up, Tiger Lily?” (mp3) and “A Song I Can’t Recall” (mp3) bristled with a soulful, rustic charm more akin to Okkervil River or Bright Eyes than, say, Jens Lekman, and both come highly recommended.

With the new year comes a new album (their first full-length) from the band. The Definite Form will be released by Orange Grammofon at the end of January. The 3 new songs I’ve heard from The Definite Form, however, seem to be embracing the dreamier, more orchestral music of their homeland without sacrificing the rural warmth of the past. To be sure, they’re still filled with chiming guitars and blaring horns, but these new songs forge a distinct sound for the band that isn’t as instantly identifiable as sounding like good American music. I’m sure I’ll be spending a lot of time with these songs over the next few months.

MP3 :: The Urgency of Now
MP3 :: The Future
(from The Definite Form. Buy here)
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Year In Review, Vol. 10 - Tunnel Motor

This December, to celebrate the music of 2007, I asked a bunch of the artists I’ve featured on PHW over the last 11 months to share their thoughts on the “year that was”. I asked a mix of my favorite local artists, as well as several larger acts, with the hope of having a diverse assortment of reflections on the music that mattered to the artists that mattered to me.
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Better late than never - here’s the final entry in the PHW Year In Review series. Tunnel Motor is a Brooklyn-based rock band and a local favorite of mine. I’ve posted about the band’s fine recorded output twice, I believe, over the past 12 months. They have just recently released an excellent new EP, Substantial Ranch (5 tracks that rock, roll, spit, sway, swear, rip, cut, bleed, and groove), which, like all other Tunnel Motor releases, is available for free download at the label’s website, 80H Records. Tunnel Motor writes catchy, driving Americana styled rock n’ roll - a little bit Guided By Voices, a little bit Mike Cooley-led Drive-By Truckers - and releases their songs for free, with the hope that a fan-base will grow out of respect for a band that obviously isn’t in it for the money.

Here’s what the band sent along as their favorites of the past year:

Best Record by a Band that I Had Not Listened to Prior to 2007:
Magik Markers - BOSS

Best "Grower" Record of 2007 (mild boredom to extreme interest):
Blitzen Trapper - Wild Mountain Nation

Best Record by a Band that is not quite as good as their last album:
The National - Boxer

Best Record by a Reunited Band:
Dinosaur Jr - Beyond

Best Record by a Band Featuring Members of a Sadly Defunct Great Band
(see band in next item):

Bottomless Pit - Hammer of the Gods

Best Discography of a Band I Had Not Listened to Prior to 2007:
Silkworm

Rick's Pick for Best Local Band of 2007:
Casa De Chihuahua
http://www.myspace.com/casadechihuahuaband

Tunnel Motor in 2008
1) Cut down on the rotating door of the rhythm section (namely the drummer)
2) Record Record #2
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